WebTitus Kaphar and Zoé Whitley. Join Titus Kaphar and Zoé Whitley as they discuss the artist’s recent exhibition New Alte̲rs: Reworking Devotion, featuring paintings and sculptures in which Kaphar examines the history of representation by altering the work’s supports to reveal oft unspoken social and political truths. Web11 AM - 5 PM. FRI. 11 AM - 5 PM. SAT. 11 AM - 5 PM. SUN. 1 - 5 PM. Felandus Thames, "Then I went and I stood up on a high, high old lonesome hill," 2024. hairbeads on coated wire attracted and aluminum rod, 97.25 x 48 in. Loan courtesy of the artist. Glenn Ligon (b. 1960), "Condition Report," 2000. iris prints with silkscreen ink on paper, 31. ...

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WebTitus Kaphar is an American contemporary painter whose work reconfigures and regenerates art history to include the African-American subject. His paintings are held in the collections of Museum of Modern Art, Brooklyn Museum, Yale University Art Gallery, New Britain Museum of American Art, Seattle Art Museum, Virginia Museum of Fine Arts, and … WebJan 21, 2015 · Somewhere between a cold crime scene investigator and a surgeon on the fritz, Kaphar turns history, specifically art history, into his canvas, slashing, erasing, stripping and crumpling away the images documenting history as its widely understood. hun hwang dds

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WebOct 17, 2024 · The artist’s work is currently on view in “UnSeen: Our Past in a New Light, Ken Gonzales-Dayand Titus Kaphar” at the Smithsonian’s National Portrait Gallery in Washington, D.C. The exhibition is the largest presentation of Kaphar’s work to date. His next exhibition “Suffering From Realness” opens in March 2024 at Mass MOCA.. Kaphar’s ambitions … WebOct 7, 2024 · Titus Kaphar’s ability to prompt reflection on long-standing systemic oppressions, particularly through his dismantling and reconfiguration of classical structures in Western art, has never felt more poignant than in these times. His signature approach of deconstructing established iconography and imagery, and then rebuilding them with the ... WebInstead, they are relegated to the periphery of the scene, often depicted far smaller, darker, and less relevant than the white figure that often dominates the frame. Michigan-born artist Titus Kaphar has said that “if we don’t amend history by making new images and new representations, we are always going to be excluding ourselves." hun huntington bank login